Memory and identity. Personal and political. Mothers and daughters. Mother Mary Comes to Me is Arundhati Roy's most personal work yet. At its centre is Mary Roy, her mother: abusive, brilliant,…
Geopolitical realignments. Technological disruptions. The mounting urgency of the climate crisis. As the world undergoes multiple, simultaneous transformations, India is faced with charting its own…
The world changes, life is hard. That's not news. But are millennials uniquely misunderstood, or simply the first generation to document their own confusion so thoroughly? Deepika Arwind, author of…
This session is in English and Kannada. Domestic work keeps the country running. But the women who make it possible, often after tending to their own homes first, have no contracts, no fixed hours,…
Opportunity is abundant. Outcomes, however, are strategic. The three women on this panel have navigated all of it. Venture capital and enterprise strategy. Global talent transformation. The slow,…
Good design is invisible. Bad design is something women navigate every day. In public spaces, designers have rarely looked closely enough at how women actually move through streets, neighbourhoods,…
Courage is not the beginning of self-knowledge. It is the constant condition of it. Courage to Be You follows two people asking that question from very different lives. Amit and Najib are a gay couple…
Two questions plagued her for five years, living between Delhi, Venice, and Istanbul: how do we lose what we lose, and why do we love whom we love? Drawing on her collection of essays Place: Intimate…
You've received the call. The scam artist trying to get your information. Perhaps you fell for it, perhaps you knew better. In either case, it becomes a story to tell over coffee. But who are the…
What did the architects of the Republic want our symbols to represent? Acclaimed musician and public intellectual T M Krishna launches We, the People of India: Decoding a Nation's Symbols, a rigorous…
