In this episode, we talk about Ren: The Girl with the Mark – Season Three Showrunning and being a DP Technical aspects of the show Director of Photography: Neil Oseman Director of Photography…
In this episode, we talk about Voicemails for Isabelle Julia’s approach to pre-production Building great relationships with directors Director of Photography: Julia Swain https://www.juliaswain.net/…
Capturing Light – Episode 172 with Les Gaddis In this episode, we talk about Why film school. My experience at AFI Cycle Films, Thesis Films, Visual Essays Director of Photography: Les Gaddis…
In this episode, we talk about Navigating the industry Differences between Live Action and Stop Motion Cinematography Tools used for Stop Motion The importance of animators in stop motion. Director of…
In this episode, we talk about Navigating the industry Samsung Commercials Using Sony Venice with Tribe 7 lenses Director of Photography: Matt Sill https://mattsill.com/…
In this episode, we talk about Navigating the industry How to get Heaven from Belfast Some technical specs and the look of How To Get to Heaven from Belfast. Director of Photography: Ashley Barron,…
In this episode, we talk about Emerging Cinematographers Award Shooting Verticals Some technical ways to shoot verticals “Pizza Guys Vs. Vampires” Director of Photography: Daniel Cotroneo…
In this episode, we talk about Navigating the industry. HIM Some technical specs of the film. (The FLIR Camera) “Work Ligt Balance Director of Photography: Kira Kelly, ASC https://www.kirakellydp.com/…
In this episode, we talk about Navigating the industry. Working as a Jack of All Trades . Run Some technical specs of the film. Director of Photography: Nathan Blaze…
In this episode, we talk about Navigating the industry. Balancing working as a cinematographer and family. Ironheart Some technical specs of the show. Shot on Sony Venice – Anamorphic and Spherical…
